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Thus, there is scant information on the brand – mostly anecdotes in far-flung strands of the internet; suppositional at least, unsubstantiated at best.

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This is especially true of unusual, special (sample/prototype models) and/or low production number models (e.g.: DT-30.) The 'Gold' label: The next generation of labels are transition labels that are white w/Sigma and three horizontal lines in gold ink, the Greek sigma in black and printed black text (Made for C. The Σ symbol now also in this same pink/purple color.

In 2011 the German company "AMI Musical Instruments Gmb H" purchased the rights to the name and relaunched Sigma Guitars again, this time being produced in China. The model and serial numbers were usually stamped on in ink, but some are known to have been hand-penned. These will have a 4, 5 or 8 digit (7*0XXXXX) serial number stamped or hand written on them. The 'Purple' label (c1972 onward): These are again white labels that had gold & black lettering but this time with a border, often pinkish-brown or violet in color.

In these eight-digit numbers, the first two digits signify the number of years since Takamine’s establishment in 1962.

The following two digits denote the month, and the remaining four digits denote the instrument’s sequential number of manufacture among all the instruments made during the month indicated.

The initial batches had a zero fret, covered truss-rod access, and bridges with a saddle “elevator.” Roughly 20 models were offered; the classical instruments had slot pegheads, while the acoustic flat-tops were characterized by a flat headstock reminiscent of a chef’s spatula (and now nicknamed as such), with the logo consisting of a gold decal of the word “Sigma” surmounted by the corresponding Greek letter (∑) in mother of pearl.

Some very early DR-7 and DM-5 batches had what collectors call an interior “type zero” white label with a black border and the Gen I logo printed with “Produced and distributed by C. Martin & Co., Nazareth, Pennsylvania, USA.” The model designation was usually hand-written in ink along the bottom border.

Mandolins previously produced in Nazareth, PA between 19, in New York between 18, and in Mexico (Backpacker Series) between 19. In 1825, Martin left Stauffer and returned to Germany, his birthplace.

He learned guitar building as an employee for Johann Stauffer and became Stauffer's foreman in Austria.

The Back Brace Brand: From 1978 through 1983; 1978 being a transition year, one might find the center back brace is pressure stamped, or "branded" in a football shape stating Sigma Guitars/Made in Japan/For/C. During later Korean made years (c1990,) Sigma transitioned back to paper labels and they stayed that way until the end of production in Indonesia in 2007. Adjustable rosewood bridge to approximately 1975, non-adjustable thereafter.

All other text was printed in black ink, or stamped on in ink by the manufacturer (model and serial numbers.) 5-digit, or 8-digit serial numbers. Being a mid-year change, some continued on with the "Purple" label, though with the new serial number designation preceded by an "S" or an "E" This is prefixed by the serial number assigned to the instrument and followed by an ink stamp of the model number. L-R as seen through the sound hole: Serial number, "Brand," Model number.) The serial numbers on these instruments were often preceded by the letters S or E; e.g. It is currently believed that this transition was complete by 1979.

In 1991, Martin incorporated mandolin serialization in with guitar serialization.

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